For the Feast of the Transfiguration, here are some photos from Gesu, which is the parish church at Marquette University in Milwaukee, Wisconsin. I used to sit next to this stained glass window when I was an undergraduate. It shows Our Lord transfigured on Mt. Tabor. Moses is in the upper left corner with the tablets of the Law and “horns” of light coming out of his face. Elias (Elijah) is in the upper right coner. Sts. Peter, James, and John appear at the bottom of the window.
Today’s feast day (prior to 1960, anyway) commemorates the consecration of the Basilica of St. Peter ad Vincula (“at the Chains”). That’s the basilica in Rome that houses a major relic of St. Peter. It’s a single chain formed from two separate chains, one that bound St. Peter when he was imprisoned in Jerusalem and one that bound him when he was imprisoned in Rome. When the two chains were brought together in the 400s, they miraculously fused together.*
Here are some photos that I took at the basilica in 2007. First, the miraculous chain. The reliquary is located in the confessio (crypt shrine) below the basilica’s high altar.
The photo above shows the altar of St. Olaf in Rome. He is shown with his battle axe, triumphantly crushing under foot the dragon of paganism (or maybe, in the artist’s mind, Lutheran heresy?). My blog pseudonym is the Latin form of “Olaf from Wisconsin.” My family is from Wisconsin (though I wasn’t born or raised here), and I’m one-eighth Norwegian. When I was a child, my late father (who was insanely proud of his one-quarter Norwegianity—may he rest in peace) used to call me “Ole,” which is short for Olaf.
St. Olaf was the King of Norway who spearheaded the conversion of that country to the Roman Catholic Faith. For his efforts at converting the pagan Vikings, St. Olaf was martyred during the Battle of Stiklestad on July 29, 1030, which is why today is his feast day. St. Olaf is honored as the “eternal king” (Rex Perpetuus) of Norway. Unfortunately, Norway was annexed by Denmark during the Protestant Revolt, and the Danes imposed Lutheranism on the country.
When I was studying under Fr. Reginald Foster in Rome ten years ago, I visited many of the so-called National Churches in the city. These are the churches that each nation claims as “its church” in Rome. I figured that Norway, despite its official Lutheranism, must have at least a chapel somewhere. Catholics—good ones, anyway—are always trying to reclaim the lost sheep among the nations. One day by accident, I stumbled upon the Norwegian national chapel in the Basilica of San Carlo al Corso* (which is the National Church of the Lombards). That’s where I took the photo above. The Latin inscriptions on the edge of the painting read in part, “Norvegia Catholica; S. Olaus Martyr, Norvegiae Rex et Patronus.” Translated, that’s, “Catholic Norway; St. Olaf, Martyr, King and Patron of Norway.” Continue reading
I’m a day late in posting this, but yesterday (July 25) was the feast day of St. James the Greater. Along with St. John the Evangelist (St. James’ brother) and St. Peter, St. James was one of Our Lord’s inner circle, being present at the Transfiguration and during Our Lord’s Agony in the Garden. Here are some one-off notes in appreciation of St. James:
St. James’ Iconography: Apostle, Pilgrim, Moor-Killer, and Martyr
Over at the New Liturgical Movement, David Clayton has posted an article about St. James’ iconography.* One of the commenters, Thom Ryng, notes that St. James appears in art in three different ways: as Apostle, as pilgrim, and as the Moor-Killer (Santiago Matamoros).**
I’ve seen the apostle, pilgrim, and Moor-Killer (or martyr?) identities combined in iconography. Once upon a time, I used to attend Mass at St. James Parish in Trumansburg, New York. The canopy/reredos at St. James shows a bishop’s crosier and sword laid across each other. The crosier obviously shows that St. James was an Apostle, and hence a bishop. The sword likely refers to his martyrdom by beheading, but also possibly to his status as Santiago Matamoros, the scourge of the Moors during Spain’s Reconquista. I believe the canopy also shows the pilgrim’s scallop shell, which points to Santiago de Compostela and the Way of St. James. Continue reading