“Rejoice, O Jerusalem!” That’s the Introit (opening verse) of today’s Mass. In the Traditional Latin Mass, the Epistle is Galatians 4:22-31, where St. Paul speaks of, “that Jerusalem which is above, which is free, which is our mother.” That’s why in the British Isles this is known as Mothering Sunday (https://en.wikipedia.org/wiki/Mothering_Sunday).
My one Catholic grandmother was wont to say, “I wish I was in Heaven,” which is a much less alarming way of telling your friends and family, “I wish I were dead.” The hymn “Jerusalem, My Happy Home,” apparently written by an English Catholic priest who lived in hiding during the Protestant Revolt, captures the same longing (https://www.youtube.com/watch?v=_ySssVj7XCs). The traditional Roman station for Laetare Sunday is the Basilica of Holy Cross in Jerusalem. For more information about Laetare Sunday, click here: http://www.salvemariaregina.info/SalveMariaRegina/SMR-164/Laetare%20Sunday.html.
In his poem “Reflections on a Flea,” Fr. Leonard Feeney wrote:
“And by the way,
Speaking of how to pray,
Dogmas come first, not liturgies.”
This claim encapsulates one side in a contemporary debate concerning the best method of evangelization. Some prefer the so-called “path of beauty.” Some prefer the “path of truth.” Without denigrating the role of beautiful liturgy, I prefer the “path of truth.”
Consider that in the Early Church catechumens attended only the so-called Missa Catechumenorum, which is the overtly catechetical first part of the Mass. Only the baptized — the fully catechized and initiated — attended the Missa Fidelium, which is the overtly sacrificial part of the Mass beginning with the Offertory. In other words, it is catechesis that makes sense of the liturgy. Many who argue for the “path of beauty” seem to want the liturgical experience to substitute for or drive catechesis. This is the opposite extreme from the post-Vatican II over-emphasis on the “Liturgy of the Word.” I would say, it is doctrinal Faith that makes sense of the liturgy, not the other way around, even though the liturgy itself has an eschatological and sacrificial reality that transcends catechesis. Participation in the Mass is more the end than the means of evangelization; as Fr. Feeney said, dogmas still come first.
I have removed this piece, which was a very dismissive criticism of the artwork of Daniel Mitsui and Matthew Alderman. I recently saw a Crucifixion by Daniel Mitsui that I liked very much. I don’t know what things may yet come from Matthew Alderman, so I withdraw my post.
One accusation against Catholic traditionalism is that it’s a bunch of LARPing — Live Action Role-Playing. Live Action Role-Playing means that self-identifying traditional Catholics adopt a number of signifiers of another time and place that they identify as more authentically Catholic than their own culture. They use these signifiers to escape into a fantasy world where they imagine themselves as Crusader knights, or latter-day Chestertons and Bellocs, etc.
What sorts of signifiers? For traditionalist priests, this is easy — maniples, Roman-style (aka “fiddleback”) chasubles, birettas, saturnos, etc. The sorts of things Pope Francis calls seminarians “women” for wanting to wear.* For lay people, you’ll get guys growing out their beards, wearing fedoras, sometimes capes, smoking pipes, speaking Latin (immo, conantes Latine loqui), and generally sticking out like sore thumbs. Women wearing mantillas that would make a Castilian Infanta blush. With groups like the American Society for the Defense of Tradition, Family, Property (TFP), we see bagpipers, capes, flags, and assorted mediaevalia. Across the spectrum, you get a lot of identification with selected historical eras in Catholicism, typically European Catholicism. You’ll get your French Legitimists, your Habsburg restorationists, your Jacobites, your Papal Zouaves, your Carlists, and even your Neo-Confederates.** Basically, anything Charles Coulombe promotes falls under the accusation of LARPing.
My concern is not to assess the merits of the accusation, or to ascertain to what extent self-identifying traditional Catholics actually display any of the signifiers above. Rather, if you’re interested in either the accusation or the alleged phenomenon of traditional Catholic LARPing, I invite you to consider a noteworthy early instance that Dr. Robert Hickson recently documented over at the website of Saint Benedict Center. I refer you to his article “The Slow Fruitfulness of His Mercy: L. Brent Bozell, Jr.” (http://catholicism.org/slow-fruitfulness-heart-mercy-l-brent-bozell-jr.html).
I’ve seen some Modernist-sounding* texts that use the word “assembly” to avoid the word Church. Instead of addressing the congregation, the priest (er, “presider”) addresses the “assembly of the People of God.” Etc. In Hebrew and Greek, the word we translate as Church does in fact mean “assembly.” I surmise that the people who prefer “assembly” do so because they think the word has a more democratic connotation than the hierarchical “Church.” One thinks of the expression “popular assembly.” Implicit in such a usage is a critique of “liturgy as court ritual,” a critique that has been debunked elsewhere.**
Now, one of a Traditionalist or even just plain orthodox-with-a-small-o persuasion might object to this usage of “assembly.” He might advance any number of arguments, the premises of which we don’t share with the people who push for the “assembly” understanding of the Church, and he might cite a bunch of Church documents, originally written in Latin, that no one who has a job has time to read. In these scenarios, I look to my mentor in evangelism and apologetics, Vin Lewis of All Roads Ministry (https://www.allroadsministry.com/). Vin would say to use the simplest, most direct, most memorable argument that requires the least specialist knowledge (such as Latin, Greek, and Hebrew). So, with that in mind, here is how I would respond: Continue reading
So many ideas occur to me, and I can’t develop them. Either more immediate needs take precedence, or I wile away the hours on something trifling. When I recall the many thoughts both subtle and sublime that have passed through my mind, and I survey the meager record I have left of them, I get melancholic. And with melancholy come memories of Thomas Gray’s “Elegy Written in a Country Churchyard,” or I quote Nero’s dying words, “What an artist dies in me.”
But enough of that. As I’ve learned, sometimes it’s good to publish your half-formed ideas. Who knows who might develop these thoughts, and do better with them than I could? So today I focus on a key element of the Catholic Faith and of Catholic practice: the communicability of perfection:
1.) The Father communicates to the Son everything that the Father has, save Fatherhood. This includes the Father’s identity as source of the Holy Ghost. The “Filioque” is essential. Continue reading
When Our Lady and St. Joseph presented Our Lord in the Temple, Simeon prophesied to Our Lady:
“Behold this child is set for the fall, and for the resurrection of many in Israel, and for a sign which shall be contradicted; And thy own soul a sword shall pierce, that, out of many hearts, thoughts may be revealed.” (Gospel according to St. Luke 2:34-35)
Our Lord will cause some to rise and some to fall. Some will embrace Him, some will reject Him. He will be a sign of contradiction. I propose that there is an Old Testament type of this prophecy: the reconstruction of the Temple after the Jews returned from their Exile. Continue reading